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Kalamazoo 
$40/h
1st lesson free!
Verified teacher profile
Response Time 24h
Lessons offered by Rodrigo
  • Individual
The lessons will be held
  • By webcam
Taught subjects
  • Guitar
  • Acoustic Guitar
  • Classical Guitar
Levels
  • All Levels

Brazilian Guitarist with 14 years of experience gives GUITAR LESSONS online to any age

Methodology

I base my classes on the interests of the student. So, the materials that I use for my classes vary depending on the particularities of each student. For example, I teach song that are both from the interest of the student and also meet the technique level of the student.

Background

My name is Rodrigo and I am guitarrist with significative backgroung in classical and electric guitar. I have played guitar since 2006 and my influences are classical, Brazilian and rock music. I am also a composer, so I would be glad to answer questions about theory as well. I have taught since 2015 intermediate and beginner students and, nowadays, I am teacher assistante in the university I am pursuing my master's degree.

Rates

Rate for online lessons : $40/h
Lessons offered by Rodrigo
Individual
The lessons will be held
webcam
Taught subjects
  • Guitar
  • Acoustic Guitar
  • Classical Guitar
Levels
  • All Levels

Rodrigo's resume

EDUCATION

ACADEMIC EDUCATION
.Master of Music in Composition, Fall 2019 - Present
Western Michigan University (WMU), Kalamazoo, Michigan
.Bachelor of Music Composition, December 2018
Federal University of Rio de Janeiro (UFRJ), Rio de Janeiro, Brazil

COMPLEMENTARY EDUCATION
MUSIC
.Clio and Euterpe: dialogues between history and music
Minas Gerais Federal University (UFMG), Belo Horizonte, Brazil
.Clarinet
Associação de Música, Docentes e Amigos da Escola de Música Villa-Lobos (AMAVILLA), Rio de Janeiro, Brazil.
.Jazz Improvisation
Berklee College Of Music, BERKLEE COOL. M*, Estados Unidos.
.Curso de Educação Profissional de Nível Básico em Música
Associação de Música, Docentes e Amigos da Escola de Música Villa-Lobos (AMAVILLA), Rio de Janeiro, Brazil.

WORK EXPERIENCE
.Graduate Assistant, Fall 2019 - Present
Western Michigan University, Kalamazoo, Michigan
This contract of Graduate Assistant in Western Michigan University demands 13.5 work hours per week. Graduate Assistant’s tasks include correcting exercises, tutoring and helping academics activities in general.


.Teacher’s Assistant, 2018
Federal University do Rio de Janeiro, Rio de Janeiro, Brazil
The contract of Teacher’s Assistant of the Counterpoint courses in UFRJ demands 20 work hours per week. Teacher’s Assistant’s tasks included teaching, correcting tests, grading and assisting in class activities.

Courses:
MUC351 Counterpoint I
MUC352 Counterpoint II
MUC451 Counterpoint III


.Research Assistant, 2015 – 2018
Federal University of Rio de Janeiro, Rio de Janeiro, Brazil
Research assistant in “Systemic modeling from harmonic-melodic gestures of small Brazilian pieces” project. This research project proposes a methodology for the generation and interconnection of compositional repositories based on intertext analysis. This methodology, called Systemic Modeling, allows us to determine hypothetical compositional systems to which archetypal structures are based on the principle of generalizing parametric properties. We will use as objects of study, in this analytical-compositional experiment, selected works from various historical periods, including strongly the Brazilian repertoire, in order to, from the modeling of these works, plan a series of new works for instrumental formations distinct from the original ones. (Advisor: Dr. Liduino Pitombeira)

RESEARCH
PUBLICATIONS
ARTICLES
1. Rocha, Max; Gomes, Claudia; Pascale, Rodrigo; Pitombeira, Liduino. “Modelagem sistêmica aplicada à música popular: Imagina, de Tom Jobim”. Anais do XXVII congresso da ANPPOM 1, no.1 , 2017, p. 1-10.

ABSTRACTS
2. Pascale, Rodrigo; Pereira, Rafaela. “Ditadura Militar e Censura: Uma análise semiótica da dicção na canção 'Corrente' (1976) de Chico Buarque”. Carderno de Resumos do VIII Encontro de Pesquisa em História 1, no.1, 2019, p. 651-651.
3. Pascale, Rodrigo. Roda cultural de Botafogo - Freestyle, Rap e Resistência. Livro de Resumos da XXXVII Jornada Giulio Massarani de Iniciação Científica, Tecnológica, Artística e Cultural UFRJ 1, no.1, 2015, p. 420-420.

PRESENTATIONS
1. Pascale, Rodrigo, and Pereira, Rafaela. “Ditadura Militar e Censura: Uma análise semiótica da dicção na canção 'Corrente' (1976) de Chico Buarque”. Paper presented at VIII Encontro de Pesquisa em História, Belo Horizonte, MG, May, 2019.
2. Gomes, Claudia; Chagas, Igor; Rocha, Max; Fregona, Raysa. ; Pascale, Rodrigo; Braga, Vinicius; Pitombeira, Liduino. “Modelagem sistêmica do Prélude Nº3 de Villa-Lobos como ponto de partida para a composição de duas novas obras”. Paper presented at 17o Colóquio de Pesquisa do PPGM-UFRJ, Rio de Janeiro, RJ, December, 2018.
3. Rocha, Max; Gomes, Claudia; Pascale, Rodrigo; Pitombeira, Liduino; Nunes-Filho, Pauxy. Utilização do aplicativo de operações lineares Oplin como ferramenta de modelagem sistêmica. Paper present at II Congresso Nacional de Música e Matemática, Rio de Janeiro, RJ, December, 2017.
4. Gomes, Claudia; Rocha, Max; Pascale, Rodrigo; Pitombeira, Liduino. Valsa de Nepomuceno: uma proposta de modelagem sistêmica markoviana. Abstract presented at 16o Colóquio de Pesquisa do PPGM-UFRJ, Rio de Janeiro, RJ, December, 2017.
5. Rocha, Max; Gomes, Claudia; Pascale, Rodrigo; Pitombeira, Liduino. Modelagem sistêmica aplicada à música popular: Imagina, de Tom Jobim. Paper presented at XXVII congresso da ANPPOM, Campinas, SP, August, 2017.
6. Pascale, Rodrigo; Gomes, Claudia; Rocha, Max; Pitombeira, Liduino. Planejamento composicional do primeiro movimento de Cinco Mulheres a partir da modelagem sistêmica do Prelúdio Nº 1 para piano de Claudio Santoro. Abstract presented at 15o Colóquio de Pesquisa do PPGM-UFRJ, Rio de Janeiro, RJ, December, 2016.
7. Pascale, Rodrigo. Roda cultural de Botafogo - Freestyle, Rap e Resistência. 2015. Abstract presented at XXXVII Jornada Giulio Massarani de Iniciação Científica, Rio de Janeiro, RJ, August, 2015.

ARTISTIC PRODUCTION
COMPOSITIONS
CHAMBER MUSIC
.Garoa, Opus 25 for Viola and Piano Duet (cca. 7 min)
Première in Rodrigo Pascale’s Recital, 2018. Conjunto de Saxofones da UFRJ, interpret.
.Bentevi, Opus 13 for Flute and Guitar Duet (cca. 6 min)
Première in Rodrigo Pascale’s Recital, 2018; Guilherme Giglio and Rodrigo Pascale, interprets.
.Bico do Papagaio, Opus 5 for Clarinet and Piano Duet (cca. 7 min)
Première in Rodrigo Pascale’s Recital, 2018. Adilson Alves and Hugo Braga, interprets.
.Fanfarra Quebrada, Opus 2 for Brass Quintet (cca. 9 min)
Première in Rodrigo Pascale’s Recital, 2018. Quinteto de Metais da UFRJ, interpret.
.Morro do Leme, Opus 20 for Flute and Piano Duet (cca. 7 min)
Work selected to be performed in the XXIX Panorama da Música Brasileira Atual (Rio de Janeiro, Brazil)
Première in XXIX Panorama da Música Brasileira Atual, 2018. Eduardo Monteiro and Thalysson Rodrigues, interprets.
(concealed information)
.Gamboa, Opus 15. (cca. 7 min)
Work selected to be performed in the Mostra Impulso II (Rio de Janeiro, Brazil)
Work selected to be performed in the 2020 Exchange for Midwestern Collegiate Composers (Kansas City, United States)
Première in Mostra Impulso II, 2017. Cron Ensemble, interpret.
.Suíte Arcos Alvos, Opus 8. (cca. 9 min)
Work selected to be performed in the Mostra Impulso I (Rio de Janeiro, Brazil)
Première in Mostra Impulso I, 2017; Quinteto Lorenzo Fernandez, interpret.
(concealed information)


SOLO
.Deslumbre, Opus 19 (cca. 3 min)
Première in Rodrigo Pascale’s Recital, 2018. Rodrigo Pascale, interpret.
.Gonzaga, Opus 14 (cca. 3min)
Work selected to be performed in the Mostra Horizonte III (Rio de Janeiro, Brazil)
Première in Mostra Horizonte III, 2017. Pedro Brandão, interpret.
.Marea, Opus 33. (cca. 8 min)
Première in Student Composer’s Concert III, 2020. Juan Sebastian Avendaño, interpret.
.Suíte Ao Vento, Opus 10. (cca. 6 min)
Première in Mostra Horizonte II, 2016. Lucas Lopes, interpret.

VOCAL MUSIC
.Três Canções de Vênus, Opus 27. (cca. 6 min)
Dedicated to Duo Adour
Première in Rodrigo Pascale’s Recital, 2018. Duo Adour, interpret.

ELECTROACOUSTIC
.Reunido na Praça, Opus 28. (8:48)
Work selected to be performed in 2020 MUSLAB Exhibition (Chihuahua, Mexico)
.Première in Rodrigo Pascale’s Recital, 2018 (Fixed Midia)
(concealed information)

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